Ultramarines Standard
Feb/100
Ultramarines Standard

To write this, I am using ‘Microsoft Word’. If I want to chose a font colour I have a choice of ten shades of grey in the ’standard colours’ and twelve further options if I select ‘more colours’ making twenty two shades. That’s merely the standard menu and doesn’t account for the infinite selection on the ‘custom menu’. And that’s just for grey. The human eye can distinguish all these nuances of colour and light. Although names may not exist for all these shades, we see them and often have the need or the opportunity to describe them.
Not only can we distinguish all these shades but we are blessed with a language that having evolved from so many others offers us a limitless array of choices to describe them.
Had Jacob’s Mum made him a coat of red and blue and green and yellow we may never have heard about it but according to the lyrics of ‘Joseph And The Amazing Technicolor Dreamcoat ‘, it was,
When a small child first paints a landscape the sea is just blue and blue is the only word they have to describe it; an artist’s depiction of the sea is multi-tonal.
The sea is not blue it is indigo, cornflower, ultramarine, curacao, periwinkle, cobalt, forget me not, steel blue, topaz, peacock, powder blue, gentian blue, aquamarine, azure, cerulean blue, electric blue, midnight blue, navy, robin’s egg, royal blue, sapphire, sky blue, steel blue, aqua, cyan, cornflower, denim, turquoise, Persian blue, powder blue, Prussian blue…
An author is a word artist so when writing, remember to think carefully about expressing your ideas in a similar way, make each and every word count.
“red, yellow, green, brown, scarlet, black, ochre, peach, ruby, olive, violet, fawn, lilac, gold, chocolate, mauve, cream, crimson, silver, rose, azure, lemon, russet, grey, purple, white, pink, orange, red, yellow, green, brown, scarlet, black, ochre, peach, ruby , olive, violet, fawn, lilac, gold, chocolate, mauve, cream, crimson, silver, rose, azure, lemon, russet, grey, purple, white, pink, orange and blue.” And that’s why generations schoolchildren will now remember the story about Jacob’s coat.
About the Author:
If you want every one of your words to really count, let the creative team of Words Worth Reading Ltd proofread your manuscript and improve your writing.
Article Source: ArticlesBase.com – The Sea is Not Blue – Improving your Creative Writing Skills
Of course, before beginning a painting has to have a variety of art materials. There are hundreds if not thousands, supplies and appliances used in the paint and on top from which many brands to choose from. Here, a list of the most essential tools you need to create an oil painting that is at least my way of creating such painting. Here we go:
* Brushes – Once again, there are hundreds of types of brushes and many different brands. But first, they actually need a filbert brushes of fairly good quality (if you can afford).
1. A big no. 10 or 12
2. One or two did not. 8
3. One or two did not. 6's
4. A small no. 2
This is more than enough. The reason is that hazel brush suggest more or less combine the capabilities of a round and flat brush. Moreover, the main reason that you need two brushes of the same size that can use two colors simultaneously. This means that clear less brush.
* Canvas – A group of canvases. At this point, I suggest you buy pre-stretched canvases so you can start painting immediately. The sizes of departure standard 16 "x 12" or 18 "x24". You can also use canvas panels which can sometimes be cheaper depending on where you buy.
* Horse – You need an easel to put the canvas on. Try to buy a sturdy easel. In fact, you could even make your stand wood if you're a little hand.
* Palette – I prefer a paper palette of at least 16 "x20". Indeed the use of 18 "x24" that gives me more space (that is, of course, when I paint at home). These palette sheets come in pads of 50 sheets and are not very expensive. Used to mix your paints.
* Paintings – Yes, you need to paint! Try to buy tubes containing at least 37 ml of painting. Some brands have tubes of 200 ml and certain colors (like white) that may even offer larger containers. All the colors of the tube is used is also called palette. As a starting palette I suggest the following colors:
1. Yellow Lemon
2. Cadmium Yellow
3. Cadmium Red
4. Permanent Rose
5. French Overseas
6. Phthalo Blue (Red Shade)
7. White Titanium
8. Ivory Black
Of course, as you get more experience, you can add some tube colors. However, when starting, is probably best use possible colors. The above colors let you produce very clean secondary colors and all kinds of tertiary beings. Secondary colors are the colors that are made with two colors and tertiary colors are made with three colors.
* Turpentine – If you use real oil paints, then you need at least a quart of turpentine or a substitute. If you use water soluble oil paints then all that is necessary to regulate water.
* Odds and Ends – If you use real oil paints you need a small container of linseed oil. You can also take a spray can of retouch varnish. And, finally, also some rolls of paper towels.
This is the minimum you need to start painting in oils. As mentioned earlier, there are many more tools to be had. I suggest going to a few art stores and see what they have. You can even check out some of the Internet shops and maybe purchase some of the tools that particularly useful for you.
About the Author:
Remi Engels, Ph.D., is a pencil portrait artist and oil painter. He is also the author of a popular Pencil Portrait Drawing Course. Get Your Free copy here: Remi’s Pencil Portrait Drawing Course while supplies last.
Article Source: ArticlesBase.com – Tips on Oil Painting – Supplies